I have always been fascinated by the luminosity of the flemish painting of the 15th-16th century. Whilst trying to find out how they did it, I came across a book that explained in a few lines about egg-tempera and translucent oil layers on top. This led me to further investigations and try-outs untill I developed my own technique, which is, for me, good enough.
Later on, through the Internet, I heard about Ernst Fuchs' so-called 'mische technique' . I never saw any work of his in real life, but it looks like his method must be at least as good, and probably even better.
Somewhere in the future, I might explain my way of working in the Info section of this work.